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detritus [2015]

from Lines of Flight by GreyWing Ensemble

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Lindsay Vickery
detritus [2015] for bass clarinet, electric guitar, harp and electronics.

The digital score for detritus is arranged as a set of interconnecting pathways - a rhizome. The performers read notation that always commences and periodically restarts, from the same point in the score, but then begins to diverge for each player, leading to a refrain-like structure of exploration and return. The score also periodically transforms the appearance of the notation by obscuring it with elements of an overtly graphical background layer. During these transformed periods the performers are less restricted in their interpretation leading to a dialogue between precise reading and more interpretive improvised musical materials.

credits

from Lines of Flight, released March 25, 2018
Lindsay Vickery has been active as a composer and performer across Europe, the USA and Asia since 1986. His music includes works for acoustic and electronic instruments in interactive-electronic, improvised or fully notated settings, ranging from solo pieces to opera and has been commissioned by numerous groups for concert, dance and theatre. He was a Churchill Fellow and held residencies at STEIM (Holland), HarvestWorks, Tokyo Wondersite and numerous universities. He was a founding member of Alea New Music Ensemble, Magnetic Pig, SQUINT, HEDKIKR (2002-), Decibel (2009-) and GreyWing (2016-).Lindsay is active as a lecturer, writer and critic and is a regular contributor to internationaljournals and conferences, publishing on subjects such as expanded music notation, interaction with field recordings and spectral analysis as a compositional tool. He is thecoordinator of composition and music technology at the Western Australian Academy of Performing Arts. [www.lindsayvickery.com]

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GreyWing Ensemble Perth, Australia

GreyWing is an Australian new music group exploring and creating repertoire for harp (Catherine Ashley), electric guitar (Jameson Feakes) and winds (Kirsten Smith and Lindsay Vickery) and electronics. Important thematic strands in the group’s exploration have included environmental music, political commentary, text, generative works, improvisation and noise. ... more

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